Jean Delville’s Eve had a lot to do with its success
Philippe Jullian was the greatest art historian in the world specializing in the Aesthetic, Symbolist, Decadent and Art Nouveau movements, producing a number of books that revolutionized art history in the late sixties and early seventies.
DREAMERS OF DECADENCE:
Delville’s Portrait de Madame Stuart Merrill
Portrait de Monsieur Jullian in a cemetery (Pere Lachaise?) on back cover
THE TRIUMPH OF ART NOUVEAU:
Jullian’s study on the Paris Expo 1900
He had, and still has a profound influence on my own Neo-Symbolist aesthetic sensibilities as an artist in 2010, and almost single-handedly influenced a huge global revival of interest in these formerly despised movements, tapping into that Decadent-Symbolist zeitgeist that informed the psychedelic art that borrowed so freely from them.
JULLIAN in 1970: Malheureusement, he committed suicide
After reading one or two of Jullian’s exquisite, erudite and challenging books, one never again looks at merely decorative Impressionist art in the same way, and the whole conventional telling of the Modern Art triumph that is thought to have come out of that technical innovation is turned on its philistine head.
D’ANNUNZIO: Dust jacket for Jullian’s biography of the Italian Decadent poet
ROBERT DE MONTESQUIOU: A Prince of the Nineties:
Marcel Proust’s quintessential aesthete
OSCAR WILDE: Jullian’s 1968 bio with Graham Bishop dustjacket
John Coulthart, a talented English artist and art historian, answers the rhetorical question in my title, with a synopsis of the great French aesthete’s life.
QUEEN ALICE: Illustration from John Coulthart’s new 2011 calendar
Mr. Coulthart has just produced a new psychedelic calendar on the Alice in Wonderland theme, which is one of the many contemporary manifestations of these living traditions.
A link to his website is found in the comments section below.
‘Goyo de la Rosa’